The C414 XLII reference multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. The C414 XLIIs slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
One of the most famous recording, live sound and broadcasting microphones since 1971. The legendary C 414 needs no introduction – it is a tool found in most recording studios and has been used on thousands of hit records; it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.
The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for the highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone released in decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument, the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components.
• 2 x C414 XLII• 2 x Elastic spider suspensions• 2 x Windscreen• 1 x Stereo mounting bar• Aluminum carrying case• Measurement documents
Live-sound engineers as well as engineers for theater, opera, or musical productions often use the same microphones for the same purposes every night, and may even install some microphones permanently. In Lock Mode, all controls on the microphone are disabled so the settings you selected for a specific application (polar pattern, preattenuation pad, bass cut filter) cannot be changed unintentionally.
• Audio Frequency bandwidth 20 to 20000 Hz• Sensitivity 23 mV/Pa• Equivalent Noise Level 6 dB-A• Signal to Noise 88 dB-A• Preattunation Pad -6; -12; -18 dB• Bass Cut Filter 160; 80; 40 Hz• Electrical Impedance 200 Ohms• Recommended Load Impedance 2200 Ohms
Nine pickup patterns provide the perfect sound for every application - without any compromise. Signal-bleeding from other sources can be minimized quick and easily. Moreover, for on-stage applications gain-before-feedback can be maximized.
• The successor of the famous C 414 B-TLII• Delivers the unique sonic signature of the highly sought after AKG C 12• Enables lead vocals and solo instruments to be placed even in a dense mix• Unrivalled up-front sound also in distant miking applications like classic music recording or drum ambience miking
The polar pattern indicator LEDs also provide an overload indication. With conventional peak indicators, overload peaks lasting only for a fraction of a second may easily escape your attention. The new peak hold function makes sure you will notice even the shortest overload peak: If the output level of the microphone exceeds the overload limit, the currently active polar pattern LED will change to red for about 3 seconds.
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